After the string of slow-paced dance shows that have been performed at the FTA this year, one would imagine that I would welcome a show that does things differently with open arms. I certainly thought I would before seeing Marie Chouinard’s Orphée et Eurydice. But now I am forced to recognize that quality is not [...]
Wild Cursive begins with a bang, its performers suspended in midair and screaming when the lights turn on. Their actions reveal a concern with circularity from their inception. A female dancer demonstrates the level of dexterity that is to be expected from all her counterparts as she remains in a seated position on only one [...]