Oh, Blessed Rage for Order…

by SolarDog

Born from evenings of wine induced jam sessions, endless literary & cinematic references, punk rock music and Wallace Stevens, Pale Ramone is the newest (and first) band recording on the Solar Dog label.

Consisting of Tasha Cyr (Belleisle, Ships at Night), Erik Virtanen (The Darling DeMaes) and James Finnerty, the three guitarist/songwriters joined to fuse their voices and resonate subtle overtones that resemble the wind weaving in and out of douglas fir trees.

Songs of melancholy, love and math-folk were born from meetings in Montreal apartments and Mile End meanderings. While continuously searching for new sounds, evolving musical parts and part-time employment, the members of Pale Ramone revealed the unconscious desire to uncover a greater design that floats upon the waves of the ocean and is heard within the sound stream of our collective voice.

PALE RAMONE

Friday, April 11th
SHAIKA CAFE
9pm
Free

Friday April 25th
CENTRE ST-AMBROISE
with The Camaromance and Caroline Keating
8:30pm
$6

One Response to “Oh, Blessed Rage for Order…”

  1. Risa Dickens proclaims with a mighty roar:

    She sang beyond the genius of the sea.
    The water never formed to mind or voice,
    Like a body wholly body, fluttering
    Its empty sleeves; and yet its mimic motion
    Made constant cry, caused constantly a cry,
    That was not ours although we understood,
    Inhuman, of the veritable ocean.

    The sea was not a mask. No more was she.
    The song and water were not medleyed sound
    Even if what she sang was what she heard,
    Since what she sang was uttered word by word.
    It may be that in all her phrases stirred
    The grinding water and the gasping wind;
    But it was she and not the sea we heard.
    For she was the maker of the song she sang.
    The ever-hooded, tragic-gestured sea
    Was merely a place by which she walked to sing.
    Whose spirit is this? we said, because we knew
    It was the spirit that we sought and knew
    That we should ask this often as she sang.

    If it was only the dark voice of the sea
    That rose, or even colored by many waves;
    If it was only the outer voice of the sky
    And cloud, of the sunken coral water-walled,
    However clear, it would have been deep air,
    The heaving speech of air, a summer sound
    Repeated in a summer without end
    And sound alone. But it was more than that,
    More even than her voice, and ours, among
    The meaningless plungings of water and the wind,
    Theatrical distances, bronze shadows heaped
    On high horizons, mountainous atmospheres
    Of sky and sea.

    It was her voice that made
    The sky acutest at its vanishing.
    She measured to the hour its solitude.
    She was the single artificer of the world
    In which she sang. And when she sang, the sea,
    Whatever self it had, became the self
    That was her song, for she was the maker. Then we,
    As we beheld her striding there alone,
    Knew that there never was a world for her
    Except the one she sang and, singing, made.

    Ramon Fernandez, tell me, if you know,
    Why, when the singing ended and we turned
    Toward the town, tell why the glassy lights,
    The lights in the fishing boats at anchor there,
    As the night descended, tilting in the air,
    Mastered the night and portioned out the sea,
    Fixing emblazoned zones and firey poles,
    Arranging, deepening, enchanting night.

    Oh! Blessed rage for order, pale Ramon,
    The maker’s rage to order words of the sea,
    Words of fragrant portals, dimly-starred,
    And of ourselves and of our origins,
    In ghostlier demarcations, keener sounds.


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