
if you are in ottawa or find yourself in the region, you might be interested in seeing this two-person photography exhibit by meryem yildiz and raymond aubin.
the empty/full dichotomy takes part in all visual art. emptiness introduces an active discontinuity which allows for a complex organisation of visual elements, thereby facilitating interpenetration and internalization. the outgrowth of a piece into space, either through diptychs or panoramas, amplifies the structure of emptiness. classical composition rules no longer apply; the parts engage in a new dialogue that is revealed by a void where, seemingly, nothing happens. symbolically, emptiness becomes a code with underlying meaning, an ambiguous code leading to multiple interpretations.
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